Unlocking the Writer's Block

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Unlocking Writer’s Block
Guest Post 
by Karen Zeigler


Rarely will individuals admit to being worriers unless they are going through a really difficult time.  So it’s not unusual that writers don’t recognize that the writer’s block they are experiencing is just worry in disguise. 

• What if no one read what I’ve written?
• What if the publisher rejects it?
• What if I don’t connect with my audience?
• Why does it matter?
• What if I miss the deadline?

Or perhaps it’s something total unrelated to writing.
• I wonder what they will find in those tests the doctor’s office ran.
• I hope my child has the courage to discuss the problem with their teacher. Should I step in or am I helping her become a responsible adult by asking her to step up?

• I haven’t heard from my spouse, the presentation was over an hour ago.  Is this a good sign that they got the business or is he lamenting at the airport bar?

Whatever the case is I can tell you from experience that there is likely a thousand thoughts running through your brain, perhaps even some on the topic you wish to write about, but the fearful, anxious and worrisome thoughts have taken over control.  Your mind maybe racing but the results are zip – going nowhere, nothing happening.

When I wrote my book Freedom from Worry – Prayer of Peace for an Anxious Mind it was more about eliminating worry and connecting with God is a real and life changing way.  What I didn’t realize until I began to share the practice is what can actually get accomplished when worry is out of the way.  Clarity comes, courage to take action and confidence in yourself, your calling and your God are just high level things that happen over and over again.  And if clarity wasn’t enough to make any writer rush online to purchase the book here are just a few more reasons you’ll want to include this book and the process that it teaches into your writing routine.

1.    The first key thing that happens in the process is the journaling.  That journaling is many things but first and foremost it is a means of getting the negative thoughts out of your brain.  As writers we often try to set all the positive variables in place – right time, right place, right atmosphere with little action taken to eliminate the negative thoughts rolling around in our head, which we carry with us regardless of where the writing takes place.

2.    Second we shift our mindset to that of gratitude.  It is when we are in a grateful mindset that our mind delves into deeper meaning, in life and in the topic at hand.  A mindset that is ultimately where most writers hope to take their audience.  Even the most comedic of writers is hoping to help their audience realize through humor that which is important about the topic.

3.    And last but not least it is a connection with the Creator.  A means for getting divine inspiration from the author of all creation. 

Practice the steps of the prayer and journaling found in Freedom from Worry and it’s guaranteed that thoughts will flow and writing will occur.  It happens by design.  By the end of your journaling time you will have spent 15-30 minutes pouring out (writing) your worries, fears, gratitude and requests onto the pages of your journal.  And as the peace of mind settles in, the flow continues on to the inspirational thoughts and words for which you were meant to write.

Karen Zeigler, Speaker and Life Coach, Inspiration to Change. 

Karen has come full circle, after almost 20+ years of climbing corporate ladders and pursuing her career that provided the prestige and money she thought was so critical from her college days, she realized there was more to life! She discovered coaching. Although she agrees being an Investment Advisor was somewhat fulfilling it never really scratched her "itch"...longings to write and speak on topics of purpose, passion and personal development.
 

Writing from the Heart

Authors come to the profession in so many different ways. Some were born with the drive to write. Some never considered being an author a viable choice for a profession, still others considered writing an end to a means. What about those who write because of a passion. What about a mother with an autistic child? I have the privilege of interviewing people from all walks of life, however a mother with a love for a child is a very special guest.

My guest Annie Eskeldson is a mother of five, with a passion for understanding her child. Her fourth child was diagnosed with classic ASD (Autism Spectrum Disorders). Today, due to Annie's intervention and therapy, Ashi is high functioning and gifted. As Annie puts it, she spent "...every day, all day, over the last 7 plus years..." with Ashi, and that made the difference in her daughter's life.


Due to Annie's immersion in her daughter's world she had an understanding that those of us outside of this world can little comprehend. And, she brings this knowledge to the table within her made for children illustrated books. Ashi inspired Annie to write a series of books from her daughter's perspective. These books are a rare look into the world of an autistic child. Annie explains these books are, "specially written to bring comfort to the parent by validating their feelings of sadness, frustration, and also the joy that comes with raising a special needs child.  Annie's books are full of 'self - discovery' type tips."

Giving your heart to a project, especially one that has impacted the life of a family can fall flat. I've read other "from the heart" types of books and one in particular that I can recall left me with sadness, disappointment and the feeling that I couldn't wait to put down the book. Annie's books however gave me a sense of hope that everything will be okay and an understanding of the situation within their home. I learned that having compassion may not solve all of the problems, but allow the families to cope well.


This is a book celebrating the facts and coping with the obvious, a child that needs understanding, compassion, love and attention. Really not that much different than other children who crave the same from their parents. I applaud Annie for stepping out and helping other parents and those who want to understand the life of an autistic child for writing these books. Her books show us that love, in this case does conquer all. Well done Annie and Ashi and the entire Eskeldson.

You can find more information about Annie and her books here:

Ashi's Gift website is at :  http://www.authorannie.com

Ashi's Gift blog is at: http://www.ashisgift.blogspot.com  

Co-Authors: Writing with Two

My first book was a solo affair and then the idea hit me for a great new series of curriculum study guides. There was one little problem. I did not possess the expertise to write the books on my own, but I knew the perfect candidate to join me in the endeavor. When she agreed I was excited about the prospect and we began our work in earnest. So far so good.

We quickly penned the book, had an editor, her husband read the manuscript and with a few more pairs of eyes and one other professional taking a look we were ready to go. I had speaking engagements lined up and had even contacted another author who was speaking at the same conference to "plug" our book after her seminar, by holding up a newly minted copy. Everything was humming along, or so I thought until reality struck my co-author. Cold feet.

She had a bad experience in the professional work place years ago when another co-worker took her presentation and with a few tweaks called it his own, presenting it to the board of directors and landing a raise. She was concerned that this would happen to her. I assured her that her name was prominently on the cover and I considered her the "brains" behind the science-based curriculum series for children. As the owner of the company, my job as her publisher was to inspire and instill confidence and we went on to write four books in the series and created many hours of hands-on fun  workshops across the nation for school aged children.

Flash forward a few years later and I found myself with another co-author. This one was a bit closer to home and happened to be my teen-aged daughter. She had an idea for a book and between the two of us many hours of brainstorming later we had a series in mind. With the first book written in a little under six months (and another 18 months of reviews by readers and professionals) we were ready to go to print! Our first book signing was set up and we both were speaking, jointly at a conference. It was an exciting time for us and her books outsold my curriculum 2-1. Three books in the series later we had thousands of books in print and the books are in their third printing at this point.

You could say I have experience with self-publishing, co-authoring, and publishing other authors. The above two authors were not under contract, both were verbal agreements. I had a great experience with them and still do, even though my friend is deceased. Her heirs now receive her royalties. I quickly learned this was not the way to do business and I have legally contracted with other authors every since. My attorney (Susan L. Spann) does a wonderful job in providing a fair contract that meets all of my needs and those of my authors.

I was extremely blessed to live through those two co-authorships unscathed. I would highly recommend a clearly delineated contract. Here is a quick check list in the event you consider working with a co-author:

1. Plan on splitting the royalty evenly.
2. Clearly explain each person's job.
3. Decide who will handle the tasks of publishing if you are self-publishing.
4. Decide who will handle obtaining an agent or publisher if looking for a royalty publisher.
5. Decide who will obtain speaking engagements.
6. Sign a contract before you begin that clearly states your royalty split if you plan to do #3 or #4.
7. Split any type of costs such as an editor, mailings or printing.
8. If one of you decides to be the publisher, make sure you receive at least 10% more for the subsequent expense and work (this is optional but highly recommended).
9. Decide who will handle publicity, or contacting or hiring a publicist.
10. Set time-lines and deadlines for all of the above.

One thing I've learned if there is a squabble over whose name goes first on the cover I'd be cautious. The rule of thumb is alphabetically, but it really is up to the two of you to decide. Beware if one author's name goes first the publisher will want to keep it this way through subsequent works even if you are the one doing most of the work. Co-authorships have been called marriages without love and that is possibly true. My experiences have been positive but then my personality is such that I tend to get along with the majority of the people, and I don't sweat the "little stuff"...

I will be interviewing co-authors, Donna McCrary and Sherri Holbert, both professional life coaches who have joined to write the book DIVA's of the Divine. They will share their experiences with the audience and much more about the writing and publishing process. I hope you'll join me live, if not the archives are here.

CIA 101: INVESTIGATIVE TECHNIQUES FROM THE TRENCHES

by Jeanette Windle

Your writing can only breathe reality and authenticity if you know intimately what you’re writing about. Is it true, I am frequently queried, that I have been able to write fiction about counternarcotics operations in Bolivia, guerrilla warfare in Colombia, the Islamic militant threat south of the Rio Grande, or today's Afghanistan with enough authenticity to have government sources demanding to know where I got classified information?

Yes, it is, an interesting tale in itself (bottom line, any place on the planet government intelligence can send an agent to dig around, some missionary or humanitarian worker will already be there and know more than they do). It helps to have lived in six countries and traveled thirty or so. But what if one doesn't have those travel opportunities? How to learn to see, hear, smell, touch, taste and understand a wider world to bring it alive for readers? Here's a few principles I've picked up along the way that can be applied by any writer.

1.    Collect experiences: The wider your base of experiences, the greater variety of situations on which you will be able to write with authority. That doesn't just mean how many places to which you’ve traveled.   My life experiences have allowed me to know jungles, deserts, mountain precipices, hurricanes, earthquakes, drought, fire, cold, heat, thirst, hunger, riots, coups, roadblocks, personal assault, and death--with all the sights and sounds and smells and emotions attached. Much was not pleasant at the time, but all are invaluable to my writing.

2.    Collect contacts:  You don't need to know all things about every subject you want to write about. You just need to know someone who does.  I always have my eyes and ears open for people with expertise and experience in a background where I do not yet have contacts. For  my last novel, Veiled Freedom, set in Afghanistan, I tapped Special Forces, private security contractors, counternarcotics, humanitarian aid workers, embassy personnel, bush pilots, and so many more who have been boots on the ground in Afghanistan.  Nor are they as hard to approach as one might think. But that is a subject for another day.

3.    Collect characters: People are not only your best source of on-the ground intel, but of color for your writing. Along with an interesting profession, I always have my ears pricked up for an interesting life story or just eccentricity of character. Again, the wider the sphere of people with whom you allow yourself to interact, the greater the pool you will have from which to draw characters, whether a jungle chief facing off with a condescending environmentalist (The DMZ), a cartel heir racing around in a red Ferrari (CrossFire), or a supercilious Special Forces sergeant determined to intimidate a female civilian--me! (Veiled Freedom).  And don't avoid the unpleasant ones. My motto as a writer when eccentric, annoying or even nasty people cross one’s path is simple and effective. Don’t get irritated or even. Just write them into your next book!

4.    Immerse yourself in your subject: It isn’t enough to collect interesting experiences and interview people. These must be tied together with thorough research so that you understand the implications of what you have seen and heard. Before I tackle a book set in a new country or political environment, I saturate myself in that place. Histories, biographies, political commentary, regional literature, travelogues, video documentary--I will have easily read 20,000 pages material before I ever pick up a pen or computer keyboard.  Now the people I’ve met, the bits and pieces of what I’ve heard, seen on the news, etc. make sense and I’m ready to write the book.

5.    Use the Internet as the invaluable tool it is: The Internet is an invaluable tool—how much information is out there really is enough to make any law enforcement nervous. Want to make that Colombian guerrilla commander in your pages real? Try reading his actual speeches posted to his website. Want to know the weaknesses of Hanford Nuclear Reservation security? Read studies and blueprints posted by environmentalist groups protesting the place. For every place I write about, I keep a Google Alert set for daily news digests. I follow blogs and travelogues of 'boots on the ground' whose lives and professions mirror the characters I am writing about. 

6.    Combine experiences you do have with thorough research to create a reality you can’t experience: The secret is to develop a wide frame of reference in which to fit your research so that you can describe as vividly as though you’d really been there. ‘A jungle is a jungle is a jungle’. So is a desert.  Whether an earthquake, the bitter cold of a blizzard, the vertigo of a thousand-foot precipice, terror of a mugging, the adrenaline tension of a military roadblock, once you’ve gone through any experience, you can use it in any similar setting on the planet. The secret is to research carefully those details unique to the setting in question. Again, those blogs and travelogues as well as Lonely Planet and other tourism guides can be invaluable.

7.    Have experts read it afterwards: On the other hand, I have often had plot holes caught and details corrected just by having an expert on the subject read it—often details I wouldn’t even know to ask ahead of time. On a recent novel, I had Coast Guard, DEA, counter-narcotics, military intelligence, weapons and nuclear experts, fire marshal, experts, clinical psychologists, former ambassador. That they found only a handful of errors was confirmation that I'd researched well. But I'd have hated for the specs of a certain air battle to have made it into print as I originally wrote it, even if few readers would ever know the difference.

The ultimate compliment for an author is to get fan mail from those who are or have been in the field of which we write that say, "You really get it; I can tell from your writing that you’ve been where we’re at." Fiction or not, that should be our ultimate goal as a writer.

Author Interviews: Jeanette Windle

One of my favorite parts of preparing for upcoming talk show interviews is the amount of information I learn about the guest. Jeanette Windle did not disappoint me, in fact she is one of the most interesting authors. She is a child of missionaries and grew up in small towns and the jungles of Colombia. After college and as an adult, she moved to Bolivia to work in the mission field with her husband. While she is "state-side" now, she has traveled widely and brings this experience to her writing.

If you are an author who wants to write fiction that reads like an authentic account, stay tuned to this blog, and Jeanette will share her techniques and tips with you on how this can be done. She has experienced many of the places she writes about. Even if you can't go to the places you'd like to write about or talk to those you'd like to characterize in your book, you can glean much through the correct type of research.

Another interesting point is that Jeanette continues to participate in writing groups. She is teaching and sharing her knowledge with others. What a wonderful gift to those authors who attend. Jeanette currently resides in Lancaster, PA, so if you are in the area you will want to learn about the non-denominational writing group for Christian authors.

As an author I will never stop discovering new ideas and techniques that will continue to stretch my abilities. It is edifying to learn from some of the best! Obviously the access to information online has been a great boon to authors. Sometimes I wonder what we did beforehand. My trips to the college library to research seem so long ago! Are there any techniques you have found especially helpful in your writing projects? Let us know.